Friday, May 10, 2013

FEMINISM AND JUDAISM, OH MY


So last year, I was invited to be on a panel at an event celebrating the 35th anniversary of MOMENT MAGAZINE. It was a real honor to be on the dais with such luminaries as Bob Mankoff, Kenneth Feinberg, Robert Seigel, Judea Pearl and Stephen Trachtenberg.

The moderator was Moment's terrific editor Nadine Epstein. And yeah, I was the only girl on the panel.

Geez.


For some reason, Moment posted this video clip the other day. I regret those eyeglasses.


http://www.youtube.com/watch?v=pHD-cilSE9Q

(There's another one up there about why Jon Stewart is the chief rabbi of the US)

Saturday, April 20, 2013

A SONG OF HOPE IN THE AFTERMATH


A few years ago, I had the great joy of writing lyrics to and for the beautiful melodies of my friend, the jazz composer and pianist Bert Seager.

This one seems heart-breakingly appropriate in the current moment.


ANTHEM

Last night I heard the music
Songs from a broken heart
Out of a ravaged city
Where the reasons fell apart

Melodies sung by mourners 
How does the soul survive
How can we bear not knowing
Will the promise stay alive?

But if someone’s writing music
In the darkness, in the ruins
There a hope of turning anger
Into solace, in a tune 

On a piano, with a banjo
Or a lone voice in a room
Someone’s playing, someone’s singing
Morning’s coming, coming soon.


Never forget the sorrow
Never regret the tears
Just as the birds make morning
Voices can banish fear

‘Cause if someone’s writing music
In the darkness, in the ruins
There a hope of turning anger
Into solace, in a tune 

On a piano, with a banjo
Or a lone voice in a room
Someone’s playing, someone’s singing
Morning’s coming, coming soon.



To hear ANTHEM sung by Rebecca Shrimpton  
to go:
http://www.cdbaby.com/cd/bertseager3

Friday, April 19, 2013

Emilia's Take on Boston's Pain


My daughter and I trade posts in our Mother Daughter Mashup blog.

She gave her feelings voice in a poem. I think it's beautiful. But then, I'm her mother

motherdaughtermashup.wordpress.com 

POP UP MEMORIALS IN BOSTON



I’ve been walking into walls the past few days, trying to make myself believe that Boston was a target of terrorism — is a target of terrorism. I had to watch that video 20 times for it to sink in: The plume of white smoke, the screams, the second explosion, the heroic rush to rescue.
Two days later, Commonwealth Avenue in Newton was swept clean of paper cups and orange peels. The trees are budding. The beauty of this spring feels like an affront to the dead, the wounded, the mourners, and all the rest of us who find ourselves walking into walls as we put one foot in front of the other.
On Wednesday night, I took my “little” girl to the Big Apple Circus. Emilia is 27-years-old and has two inches on me but this was our family tradition throughout her childhood and it was planned as a celebration of her move back to Boston after five years in the diaspora. I bought the tickets in February.
On her way downtown on the T, she was reminded at every stop to be vigilant. Passing Massachusetts General Hospital, my husband and I thought about lost limbs and broken hearts.
We were reassured by the K-9 patrol and state troopers posted outside the big top. We were happy to be part of a big crowd of families and children, gasping and giggling at the performance, terror-free for a couple of hours. After the show, we passed a local camera crew interviewing a dad who said something about how we can’t stop living and that’s what we were doing at the circus.
Not that we’re going to forget. There will be vigils and prayer services and moments of silence; plaques and bronze statues in memorium; charities and foundations funded to help and heal. All good. But it’s all still raw. 
Before the circus, we took a walk around Boston Common. I wanted to see the gazebo and one of the temporary, do-it-yourself, shrines that now dot our city. Made of candle wax, roses, notes and posters, they serve as temporary memorials to the dead. And though God’s name is invoked, along with quotes from sermons and scripture, these offerings are more civic than religious.
Pop-up memorials owe their meaning and their random beauty to the efforts of a community of neighbors — and strangers. They express the emotional connection and commitment that comes with being a citizen — of Boston, the USA, the human race. They affirm the consolation of solidarity. All are welcome.
We are much too familiar with these heart-breaking shrines. Oklahoma City, 9/11, Tucson, Sandy Hook; I hate seeing Boston added to the list. I hate the list.
But it can’t end with hate. I add a few words to the local colloquy about who we are, I sign up to give blood, and I promise not to surrender to the lie that we are helpless to stop this madness.


This post also appears on WBUR's Cognoscenti

http://cognoscenti.wbur.org/2013/04/19/new-landmarks-of-consolation-and-solidarity

Thursday, March 28, 2013

Mother Daughter Passover


Passing the Torch
New blog post on Mother-Daughter Mashup

https://motherdaughtermashup.wordpress.com

Monday, March 18, 2013


My Aching Feet
I am not a person who takes pleasure in the travails of others, really I’m not. But when I found out that Sarah Jessica Parker’s feet were a mess, a shudder of schadenfreude ran up and down my spine.
In her role as Carrie Bradshaw on HBO’s long running series “Sex and the City,” Parker schooled at least two generations of female consumers in the gospel of the four, five, or six inch heel. She made us believe that kind of altitude was essential to looking polished. Also, Carrie did not teeter neither did she totter; she made walking in those shoes look easy.
Carrie’s shoe mania was a running bit on the series, but I don’t recall anyone challenging or even joking about the dizzying height of her pumps, sling-backs and sandals. She did break a heel at least once, but Carrie never fell down or got knocked over, nor did she worry about being hobbled should she have to flee a dicey scene.
During her years as Carrie Bradshaw and ever since, Parker became a fashion icon. She gets front row seats at all the best runway shows and has appeared in countless magazine spreads as an exemplar of style. The towering shoes were part of the look; the perfect intersection of Carrie and Sarah Jessica.
But now Parker’s podiatrist informs her that her foot does things it shouldn’t be able to do. “That bone there,” he said. “You’ve created that bone. It doesn’t belong there.”
In a recent interview with Net-A-Porter Magazine, Parker blames her toesy woes on the less-than-Manolo-Blahnik-quality spikes she wore during a few months of filming the movie “I Don’t Know How She Does It.” She went cheap in solidarity with the character she was portraying. Kate Reddy, after all was based on a real person — a real person who apparently “could not afford really good footwear.” (Manolo Blahniks cost somewhere in the neighborhood of $600.) The lower priced shoes Parker settled for had plastic — as opposed to leather — bottoms and caused Parker to slip and twist her ankle.
“The moral of the story is, the chickens are coming home to roost. It’s sad, because my feet took me all over the world, but eventually they were like, ‘You know what, we’re really tired, can you just stop — and don’t put cheap shoes on us?’”
Oh please.
Price considerations aside, I have been biting my tongue about these devil shoes for 15 years. Who wants to sound like an old lady “She’s ruining her feet” or a scolding feminist, “As bad as foot-binding”? But I can’t hold it in any longer.
I never wore super high heels because 1) they hurt and 2) I look like a baby with a full diaper when I walk in them. Women who persist in spite of the pain and awkwardness generally wear sneakers to and from the office, or keep flip-flops tucked in their purse to enable a return of normal blood flow to the lower extremities. We all know they’re bad for us; but maybe the danger is part of the appeal?
I wish that SJP would start making public service announcements about the potential perils of vertiginous footwear. That’s not in the cards.
Her response is not to change elevation (although there is a photo of her in UGG boots floating around the internet). Rather, she has declared that she will eschew Payless and stick with Manolos from now on.
Too bad. With her star power and fashion platform, I might be able to find low-slung shoes that aren’t orthopedic, infantile, or just plain boring.

Also at WBUR Cognoscenti

Friday, February 8, 2013

Mother + Daugther + Dog = Post


I'm writing a conversation/blog with Emilia, my daughter, who is 27 -- how did that happen?

She serves and I volley.

Here is the latest on Mother-Daughter Mashup:    http://wp.me/365N6